Not that I'm going to make excuses, but if I were going to one of the reasons why you haven't heard much from me over the past three months is because I was busy getting my thespian on. And for those of you that thought it might just be a "phase" or something I was experimenting with, as it turns out I'm really into it.
Back in August, a friend of mine who was directing "Sweeney Todd: The Demon Barber of Fleet Street," admonished me for not signing up for an audition. And if I were making excuses (which I already established, I'm not), it was because I was in the midst of coaching another running season for Team in Training and I knew how much work that was going to take, especially given the fact that we had three events in October which was also when the production was set to open.
As I'm wont to do, I figured out a way to have the best of both worlds--even though the cost was having a six-week stretch where literally every minute of every day was scheduled and if I had the luxury to be at my house it was only to sleep. But it was definitely worth it.
Being a part of this production was a tremendous experience. If you're not familiar with the show, it is considered by many to be one of the most musically challenging productions. There is nowhere to hide in the ensemble, you have to know your music (and it's Sondheim, so knowing your music is at times so much easier said than done). I'm so glad that I was given the opportunity. I learned and grew as an actor and singer, and as a gender-bending-Irish-conman-turned-flamboyant-Italian-barber. More about that to come...
1 comment:
You were the best barber on
Fleet St.
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